A new bandage mimics the natural tissue that forms as a wound heals. The gauze, made from the blood protein fibrinogen, could be applied as a dressing that need never be removed. The body would treat it simply as part of normal healing, gradually dissolving it as new skin grows over the wound.
During natural blood clotting at a wound, an enzyme converts fibrinogen into a web of insoluble fibres of the related protein fibrin. This mesh protects the injury from infection and stops bleeding.
Gary Bowlin and colleagues from Virginia Commonwealth University in Richmond, USA, have devised a way to spin extremely fine fibrinogen fibres 1.
They extract the protein from human or cow blood and dissolve it in an organic solvent. They then squirt a jet of this solution from an electrically charged hypodermic needle ”€ the electric field stops the stream breaking up into droplets.
As the jet flies through the air, the solvent evaporates and the fibrinogen molecules stick together into fibres a thousand times narrower than a human hair, at just 80 millionths of a millimetre wide. This is about the same thickness as fibrinogen fibres in normal blood clots.
These fibres hit a rotating steel drum, and gather into a tangled mat. The researchers remove the mat when it gets to about a tenth of a millimetre thick, by which time it is strong enough to act as a wound dressing.
A sheet of this fibrinogen gauze should both stop bleeding quickly and speed up the healing process, claims Bowlin's team. It should act as a scaffold into which tissue-forming cells can grow and move. A snippet, for example, would help staunch shaving nicks.
The next step is to make shaped biodegradable scaffolds to guide the regrowth of damaged tissues. Bowlin and colleagues hope to combine different kinds of material in one mesh, including the skin protein collagen and growth factors, to stimulate the formation of specific tissue types.
References
Wnek, G. E., Carr M. E., Simpson, D. G. & Bowlin, G. L. Electrospinning of nanofiber fibrinogen structures. Nano Letters, 3, 213 -216 , (2003). |Article|
Ultimi Articoli
Domenico Formichetti porta CASA BLASTER alla Milano Design Week 2026
Benji & Fede tornano il 24 aprile con Oh, Maria! — a ottobre il debutto nei teatri italiani
Polignano a Mare — Si chiude la tre giorni dedicata a Domenico Modugno, tra bande, cinema e memoria condivisa
Triennale Milano apre mostre e incontri per la Milano Design Week 2026
Milano — “Gente di facili costumi” al Manzoni, ritmo vivo e dialoghi che tengono la scena
Triennale Milano apre la Design Week con mostre, incontri e laboratori
GENTE DI FACILI COSTUMI al Teatro Manzoni di Milano
Milano: George Foreman, la sua storia arriva in libreria con DIO AL MIO ANGOLO
Arisa torna con Foto Mosse — il nuovo album esce il 17 aprile